by According to the theory of the Semline index, the rock silk increases with the stock market. In Boom Times there are miniöire that reflect the flirty party atmosphere. When the stocks fall, the hemlines fall into the ankle and reflect concerns that create conservatism and the need for decline.
At the Melbourne Fashion Festival this week, Hemlines were off and on the runway floor and ankle length. Perhaps the times – the cost of living without recession – reflect the outfits far from prim and properly. Instead, the mood was defiant, optimistic sartorial chaos. The skirts may have been long, but some were also transparent.
Suzanne Browne’s favorite look is a floor-long tulle skirt with layers of tailoring, cocktail hat and statement pearls. Wearing Tulle, Browne, a festival employee, feels completely comfortable and relaxed. “You don’t have to worry when you sit in the car,” she says. “Tulle is also ideal for traveling because it is so easy in your luggage that you don’t have to iron it and it works with so many options – tops and short jackets.”
Skirts made of ripped flowers, dazzling metallics, mere patterned tips and long tassels also adorned the forecourt of the Royal Exhibition Building by Carlton.
Kara Baker, a fashion designer, was wearing a long, purple, blue and pink printed skirt from her own collection. To pull off a large skirt, she suggests wearing comfortable high heels like a platform or a wedge. “Most women need a bit of size,” she says. “I think everyone looks better and they can get a size without complaints.”
Yasmin Kurzmann, a content of a content, also advises to combine long skirts with paragraphs, otherwise she constantly stumbles over. “When I’m increased, the skirt doesn’t touch the floor so much,” she says.
A risk of wearing paragraphs can be a stiletto that penetrates the hem through the stairs when climbing or getting off. “It is definitely torn on the back,” says Kurzmann from the vintage, Black Tulle Petticoat, which she wears. Not that she makes herself. “This skirt is one of the most popular pieces in my wardrobe and the back is not my problem.”
A “sweet little buoyancy” of her hem with her hands holds Lucy Wilkins, a fashion designer, from the hem of her long, lime green top skirt (her own design). This step has the additional advantage that you show your shoes. “I love this skirt because it is airy, funny and sexy,” she says. “Besides, it has bags.”
Long, dramatic silhouettes were also present in the Royal Exhibition Building, Bianca Spender, Romance was born and Alix Higgins sent all the skirts down the runway in full length. Amy Lawrence Amy Lawrence, the National Designer award winner, showed an entire collection of clothes that went on the ground.
Brahman Perera, an interior designer, modeled one of Lawrence’s designs in the crowd. “The wearing of a long skirt in which I feel comfortable is very authorized,” he says. “The drama to interact with a long skirt – as to hang up when navigating stairs or a car – gives wearing more shapes and joy.”
